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Ведьма из Блэр: Курсовая с того света. Сценарий

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Book of Shadows Blair Witch 2, early draft, by Dick Beebe

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BLACK SCREEN
And in that darkness, white words silently FADE UP:
The following is based on actual events. Some
dramatic re-creation was necessary for reasons
that will become obvious.
Beat. And then slowly swelling up is the sound of panicked
hyperventilation--spasms of words and weeping:
VOICE (HEATHER DONAHUE)
I'm...scared...to close my eyes--
SMASH UP ON
the teary and terrified EYES of HEATHER DONAHUE (the now ubiquitous
scene from "Blair Witch Project" of her confessing to the camera):
HEATHER DONAHUE
--I'm scared to open them.
(beat)
We're going to die out here--
--then, suddenly, this image of Heather FREEZE FRAMES. And we hear
the incongruously perky Voice of ABC's DEBORAH ROBERTS:
DEBORAH ROBERTS (V.O.)
--she'd be a much happier camper
if she'd lived to see this weekend's
grosses--
--abruptly, the freeze-framed image of Heather goes squeeze-boxing
up into the upper left corner of the screen, revealing:
That we're watching ABC WORLD NEWS SUNDAY--the date bannered at the
bottom of the screen: August 1, 1999. Reporter Deborah Roberts sits
behind the Anchor Desk reading TelePrompTer copy:
DEBORAH ROBERTS
In only its first week of wide
release, "The Blair Witch Project"
has taken in a whopping 36 million
at the nation's box office. Not too
bad for an independent film that was
reportedly made for less than the
cost of your average Buick--
CUT TO:
News Video - Day. The Angelika Theatre, New York City. Big and bold
on the marquee: "Blair Witch Project." Tracking shot away from the
theatre and down the street, to see:
NEWSCASTER (V.O.)
--lines to see the new film
stretching five blocks long down
Houston Street--and this was for a
10 a.m. show--
CUT TO:
Close On the long line - Two YOUNG MEN in their late teens being
interviewed on camera:
YOUNG MAN #1
--to get the holy sh--
(BLEEP!)
--scared outta me, man, what do
you think?
YOUNG MAN #2
I heard last night they had people
runnin' screamin' out of the theatre--
CUT TO:
The last scene of BWP projected on a big screen--Heather Donahue
running screaming down the stairs inside the house--and seeing Mike
standing facing the wall--
WHIP BACK
to see that we're inside a theatre, and the audience watching this
is collectively shrieking with surprise--
--and then collectively shrieking even louder as Heather is hit
from behind and goes down, camera with her.
CUT TO:
Another Theatre - Night - Video of an Audience exiting the film.
One YOUNG WOMAN being interviewed is particularly shaken:
YOUNG WOMAN
...the kid...Mike...he was turned
around towards the wall 'cause that's
what that guy in 1940 made all the
little kids do before he killed them--
A gaggle of Male Teenagers pass by in b.g. of the shot. One of
them shouts:
TEENAGER
Just a movie, baby!
The Young Woman looks confused for a moment. Looks into the camera:
YOUNG WOMAN
....no...it was real, what we saw
....wasn't it?--
CUT TO:
Telecast of MARY HART on the set of "Entertainment Tonight."
MARY HART
--whatever you want to call it,
"Blair Watch" is definitely the
Cinderella story of the summer, if
not the century, with now an 80 million
dollar gross in just two weeks--
CUT TO:
News Video of a 30ish GUY railing at the People waiting to purchase
tickets to BWP:
30ISH GUY
--save your money, it's all bullshit
hype! Blair Witch sucks!--
CUT TO:
Some STONER being interviewed on camera:
STONER
--all repeat business, dude--I know
morons who've seen the stupid thing
like three times in one day.
INTERVIEWER (O.S.)
How many times have you seen the
film?
STONER
Like maybe five. But not in one
(BLEEP)
-ing day--
CUT TO:
Critic LEONARD MALTIN holding forth on-air:
MALTIN
--it taps into our universal primal
fears: of the boogeyman, of the
things that go bump in the night--
there's something out there, you
can't see it, and it's coming for
you--
CUT TO:
Video of more audience exit interviews.
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